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Hey there, everyone.
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Welcome back to the PR Breakdown.
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I'm your host, Molly McPherson.
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In this episode, replaying the most played episode of the year.
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I'm resurfacing it for the holiday week because the story at the center of it is still unfolding in real time.
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In this episode, I dig into the Hollywood power struggle behind.
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Do you remember these two?
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Blake Lively, Justin Baldone, with a co-starring role for Ryan Reynolds and how that single voicemail cracked open a much bigger conversation about control, narrative management, and reputation at the highest level.
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Are you thinking, what voicemail?
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Well, let me bring you back in this episode.
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If you want my latest take on where this battle stands now, you can read it in this week's edition of People magazine.
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I was featured in an article by writer Elizabeth Rosner breaking down the Blake Lively legal fight with Justin Baldoni and Reputational Fallout as it stands now, because this fallout continues to ripple outward.
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This episode lays the groundwork, the strategies, the missteps, and the PR decisions that may ultimately reshape how celebrity crises are handled going forward.
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Let's get into it.
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Oh, who's ready to chat voicemails and recent PR moves?
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I received a lot of reach outs today from the press, from television to documentary to celebrity magazine to network news to talk about the voicemail drop by Justin Baldoni.
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And to all of them, I said no.
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Welcome to the PR Breakdown, where I dive deep into the strategies behind the headlines and then cover the power plays.
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Did I say power play?
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Shaping public perception.
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In this episode, let's unpack a Hollywood power struggle that has spiraled into legal battles, PR chaos, and some truly fascinating revelations.
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This episode focuses on the latest twist in the saga between Blake Lively, Justin Baldoni, and Ryan Reynolds.
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That seems to be unraveling someone in particular's carefully curated public image.
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Let's break it all down.
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The alt title for this week's podcast is You Get What You Give.
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This Hollywood drama is playing out in two arenas: the courts and I hate using it, but it's such a cliche, but it works.
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The court public opinion.
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As many of you know by now, if you're listening to this podcast, clearly you know because you're in this lane with me.
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Justin Baldoni's latest move.
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His team released a voicemail where he is apologizing to Lively, acknowledging her concerns that happened on set.
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If you haven't heard the email, or if you're not into this drama.
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Now let me jump in here right now.
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If you've listened to this point and you're thinking, do I really care about this?
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I'm going to urge you to stick it out.
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If you're someone, you know, like me, who likes the PR intrigue of it all.
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I'm not going to go too deep on the facts because the facts are flooding the content space right now.
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It doesn't matter if you watch news, television news, if you're reading news, if you're reading celebrity or tabloid, or you're on social media.
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Everyone is breaking down the court papers, the voicemail itself, and putting all the evidence out there.
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I'm not one of those creators because there are plenty of creators out there who do a much better job than I do.
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There's a lot of media outlets that have the resources to do that.
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As a full-time crisis management strategist, I don't have the time to give you the evidence.
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That's not what I do.
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I want to pull the information from the evidence.
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I want to talk about what the evidence reveals.
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Now, let me give you just a brief sense of the Justin Baldone voicemail if you haven't heard it.
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I won't go too deep, but I'm going to give you just enough to get you an idea of what went down.
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Hey, Blake, it is uh two in the morning.
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Um, hopefully this does not wake you up.
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Um Wow, there's so much I want to say to you, and I hope that we can um uh FaceTime or or see each other in person um soon and get to talk more, but I'm just gonna send you a few thoughts, and hopefully it's not gonna be more than a few minutes, but that's uh I don't have the best track record.
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I don't think either one of us have the best track record uh for our voice memos.
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Um I want to start with an apology.
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You can tell by his tone.
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It was calm, it was reflective.
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Now that is in stark contrast to the aggressive accusations that we've seen in the lawsuits and the complaint against him from Blake Lively, and also, you know, some of the media coverage as well.
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Also, you've seen perhaps in the headlines that this nice pool problem for Ryan Reynolds is coming back to hurt him.
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Baldone's legal team claimed that Reynolds used his influence to mock Baldoney through the Deadpool and Wolverine movie, which came out at the same time, same weekend, as Justin Baldoney and Blake Lively's movie, It Ends With Us.
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His character Nicepool, they're claiming Justin's team is a thinly veiled jab, Justin and Justin's relationship with Ryan Reynolds' wife, Blake Lively.
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In Justin Baldone's legal filings, he's also accusing Lively of leveraging her alliances, including Reynolds and Taylor Swift, to pressure him into compliance during the film's production.
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So I'll get into more of those details in the podcast, but I really want to get to the heart of the matter, what's at the center of all of this?
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And I'll give you the bluff right now, the bottom line up front.
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It's Ryan Reynolds.
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So I've said from the very beginning, his overreach, pushing his wife to escalate the lawsuit and using his Hollywood influence to intimidate Baldone is now backfiring.
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And it is backfiring in a huge way.
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And it's threatening to tarnish the likable, relatable persona that he has built over the years.
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Now, first, let's talk about why the press has been calling me.
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Really, for weeks on end.
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It ends with the press calling me about this story.
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Last week I was in New York City visiting ABC News near uh Columbus Circle.
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They're actually moving their building to Tribeca.
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So that was probably the last time I'll ever be at that ABC location.
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But I sat down for an interview with Juju Chang.
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She is one of the co-hosts of Nightline, and the program also airs on Impact, which runs on Hulu.
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So you should be able to see this piece come out in the next week or so.
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I'll definitely let you know about it.
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I sat down for an interview to talk about the case, and they wanted to ask me about the PR perspective.
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Now, when a news organization comes at it, they're typically looking at it from both sides.
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That's what they want to do.
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They want to show both sides of it.
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And Juju's questions were very balanced and also leaning slightly more towards Blake Lively.
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And that doesn't show any type of bias from the ABC perspective.
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But I think the reason why they did it, along with so many other reporters who've I've spoken to recently about this, they look at the overwhelming public sentiment against Blake Lively and by extension Ryan Reynolds, and they want to counter it, I think.
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They don't want to necessarily feed into the controlling theory that really this is turning into a Blake Lively problem.
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They don't want to feed that negativity.
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And it's so interesting, but they'll do the complete opposite when it comes to Taylor Swift.
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Like no media outlet will ever say anything negative about Taylor Swift ever.
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I don't have a problem with Taylor Swift.
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I don't come out negative against Taylor Swift.
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But one thing I don't like about the Taylor Swift aura, if you will, is that people bow down to it.
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Like no one will ever look at it critically.
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And if anyone says anything that has a hint of criticism, you know, the Swifties come out and they just attack and the media falls along with it.
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It really kind of bothers me.
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So I'm noticing this pendulum swing that instead of siding with the public, they are siding with this idea that there was PR chicanery happening behind the scenes.
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In the interview I did with ABC, I'd say of all the interviews I've done, that was the least present in there.
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I'd have to say Juju Chang really looked at it from a straightforward point of view.
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But I told the producer Rachel ahead of time, we talked about it on the phone.
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I said, I'll tell you what I'll answer on camera, but this is my real opinion about what I absolutely think is happening.
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And I'm going to share that with all of you now on this podcast.
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This PR battle is control versus strategy.
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If you followed some of my posts previously about this, I stated from the very beginning that public relations is that red herring in the story, that Blake Lively's team is using it as a distraction and a blame technique to distract from what their side is actually doing.
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And it's a very hypocritical stance because they're calling Justin Baldone's side for publicity moves that were retaliatory against Blake Lively.
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They are claiming that Justin Baldoney manufactured a lot of this negative press against Blake Lively.
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And in fact, Juju had this great prop in the interview.
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She brought out this placard that showed a graph of the publicity in the weeks around the premiere.
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And it shows this big red dip, Blake Lively's negative mention.
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So it shows the negative sentiment.
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And she asked me about this.
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And she was saying, well, doesn't this look like there's a lot of concentrated negative commentary?
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Which I agreed.
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It absolutely looked at that.
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I said, but that's what it looks like when the public organically decides that they don't like a person at that moment and likely supported by the algorithm.
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That's what happens.
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It's the algorithm catches up with public sentiment.
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And then it kind of steamrolls.
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And I, for one, think it is organic.
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Now, disclaimer, I'm not saying that there wasn't any type of, let's call it transactional PR happening.
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When I say transactional PR, that's just my term.
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I've never heard it before.
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I use it to explain when money is exchanged for PR because PR is not a money game.
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That's advertising.
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Advertising is when you pay for persuasion.
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Marketing is the sales arm.
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It's when you use PR and advertising to market a product.
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It's really more sales related.
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But public relations is persuasion, whether it's through issues management, crisis management, or promotion.
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It is a publicist calling a media outlet and persuading them to run a story.
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It's a PR person persuading the New York Times to run a story about their client, you know, whoever it is.
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Money is not supposed to come into play.
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But with the Amber Heard versus Johnny Depp case, we hear a lot about how bots were purchased.
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And it's very, very heavy leaning against Johnny Depp that there is evidence out there that out of Saudi Arabia, bots were purchased on his behalf, either through Johnny Depp or someone close to Johnny Depp, to really infiltrate the campaign, you know, to hurt Amber Heard and to, you know, boost Johnny Depp.
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And when you purchase bots, that worked very well in a Twitter environment.
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But now more people are in the TikTok realm and Instagram and YouTube.
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YouTube is still pretty strong.
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So you can't buy that misogyny as easily as you could with the Twitter.
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I mean, you certainly can on X, but X doesn't have the same reach that Twitter once had.
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And bots can really be pushed with hashtags.
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So you might find bot-like behavior in the comment section in TikTok, but that's not the same as someone putting out video content.
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So you can't really have a bot, you know, create a video.
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People follow authentic content creators who have a following and they have influence.
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Bots can't have a lot of influence unless they're strong in numbers.
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So that's why I don't buy into this claim that Jezebel Doneyside has waged this manufactured campaign against Blake Lively as a retaliatory act to bring down her name.
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I think she did it all on her own with the support of her husband.
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Jessabelle Doneyside did hire a contractor, someone who's uh kind of known in those dark arts, but I was assured by someone close to Justin Beldoney, who told me that was not the case, that that person was only hired to boost positive posts about Justin.
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But that's kind of murky.
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And like if you're boosting positive, how hard is it to boost negative?
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So that one, you know, we'll we'll hold off on that one.
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That one has yet to be proven, but I don't know.
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But if Justin Baldoney's doing it, there's other celebrities who do it as well.
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And Blake Lively would also have to prove that she didn't do it.
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Now, that contractor who they dropped from the lawsuit, Blake Lively dropped him, Jed Wallace was his name, from the lawsuit because it was not just Jessica Baldone, but it's Justin Baldone's PR team publicist and people from the agency group who Justin Baldoney only hired temporarily, just for two months, to do publicity for him around this time because everything was going sour so quickly.
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And I think the reason why this Jed Wallace got dropped from Blake Lively's lawsuit, it's not because he didn't do anything, it's because her side probably did the same thing.
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And that's why they had to drop him.
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I haven't heard anything other than that.
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No one's ever told me that.
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I've never heard any creator or anyone say that.
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And no one from the inside's told me that.
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That's just my take.
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But we will see because it will all come out in the wash.
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Now, the PR battle, control versus strategy.
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What stands out clearly in the past week is not what Justin's doing, it's what Ryan Reynolds is doing.
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Ryan Reynolds was the outlier, but he's the person I've been paying attention to from the very beginning.
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Like the second all this was going down, I pinpointed Ryan Reynolds.
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And if you go back to an article that I wrote for Forbes.com back in August about the social media clues that hint to a rift between Justin and Blake Lively, I also strongly hint about Ryan Reynolds' involvement.
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I couldn't go too heavy because it was in Forbes, but I spotted it right from the beginning.
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I've been sus on this guy for a long time.
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Now, if you've been paying attention to Ryan Reynolds over the past few weeks, you would have seen him and Blake at the Wicked Premiere, which released so naturally they would be there.
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Also, Ryan Reynolds made notable comments about women in the film industry at the National Board of Review Awards, Gala.
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This was on January 7th, a few weeks ago.
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And while he was presenting the Best Film Award to Wicked, Reynolds addressed the different standards women face in storytelling and life.
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Take a listen.
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Wicked is indeed wicked.
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It dares to center two powerful women.
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It examines a nuanced, complex relationship which has resonated with people for over two decades on stage.
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Stories about women seem to be held to a different set of standards, and that is to say that they're often held to the standards women are held to in life.
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You must be perfect, you must be you must hide your strength, you must shape shift or placate.
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Now that was Reynolds in his first public appearance since Blake Lively filed that sexual harassment complaint against Justin Baldoni.
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Isn't that timing interesting?
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Isn't the words what he's saying quite interesting?
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Highlighting unrealistic expectations placed on women, saying you must be perfect, you must hide your strength.
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It sounds like Ryan Reynolds is trying to be a feminist, that he thinks there's an unfairness to women, the pressures being placed on them.
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Hmm, I'm gonna come back to that.
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Next, just in the last few days, we saw Ryan and Blake together.
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They were photographed for the first time since this whole legal dispute, you know, blew up.
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So they were photographed with Lively's A Simple Favorite co-star.
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And that was an image that was shared on Instagram.
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So that just happened a couple days ago.
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Then I saw on social media when my plane landed in Florida.
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I was working over the weekend.
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I traveled down to Jacksonville, Florida.
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I opened my cell phone, opened social media.
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Then I happened to see this.
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Hello.
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And I have been lucky enough to have eat my godship for life right here.
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I mean it.
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Thank you, God.
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I'm his fucking best friend.
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Alright, guys.
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It's just welcome.
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Uh and I just want to like I I know we were supposed to finish this bit where they they this two security gentlemen come and they try to take the mic from me.
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It's like a struggle, and then they taste me, and I go down, and then they hogtie me, and then they put me in the radio city music garbage cup, uh, and then they just light it on fire.
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That is the sound of Ryan Reynolds at a show with Hugh Jackman.
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Oh my gosh, these two.
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You know, we've also seen little pap shots of Hugh Jackman walking with his buddy Ryan Reynolds and co-star Deadpool Wolverine and Hugh Jackman, also in the middle of his PR campaign where he's trying to convince the world that he's actually dating Broadway Starlet, Sutton Foster, who has a show out on Netflix that I actually found horrible, but people in my live said that they absolutely loved it.
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That is a relationship that I am not believing, and the people in my community are not believing either.
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But both of them are trying to prop each other up at this time.
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But here's the issue Reynolds' silence on the legal allegations scared.
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With all these visible attempts to control the narrative, it feels so disingenuous.
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So instead of addressing the conflict head on, which he could do, he's deflecting it with positive press.
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And for someone whose brand thrives on authenticity, because we all know like the real Ryan Reynolds, right?
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We don't.
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It's pretty risky.
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It's really risky when you're known for being relatable and then all of a sudden you're not relatable because no one can hear from you.
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It's tough.
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Now, Justin Baldone is running a full counter-narrative strategy here.
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He's not backing down with his legal team accusing Reynolds of rewriting scenes in It Ends With Us without authorization, pressuring his agents, WME, to drop Beldone as a client.
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Did you know that they shared representation?
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And Justin's the one who got uh dumped.
00:20:53.839 --> 00:20:59.680
And he even, according to court papers, verbally attacked him during a meeting.
00:20:59.839 --> 00:21:08.880
And I actually heard this a couple weeks ago from someone close to Justin Baldone, that he was called to the Reynolds slash Lively penthouse.
00:21:08.960 --> 00:21:14.880
And when Baldoney went there, it was Ryan, Taylor Swift, and Blake Lively.
00:21:15.039 --> 00:21:20.240
And Ryan Reynolds absolutely dressed him down.
00:21:20.960 --> 00:21:29.440
And Baldoney was, you know, claimed that Reynolds forced him repeatedly to ask him to apologize.
00:21:29.680 --> 00:21:33.279
I was told that Justin was absolutely blindsided by it.
00:21:33.519 --> 00:21:35.839
And to have these powerful people, I mean, come on.
00:21:36.000 --> 00:21:44.880
Like Ryan and Blake together, but then Taylor Swift, whose song was also in the movie, what was Justin Baldoni supposed to do?
00:21:45.200 --> 00:21:50.640
That is the incident that triggered the voicemail that everyone is talking about.
00:21:50.799 --> 00:21:55.920
Now, I will admit, like that voicemail, when you listen to it, it is a little cringy.
00:21:56.000 --> 00:21:57.519
I'll be the first to admit that.
00:21:57.680 --> 00:22:01.599
When he talks about, you know, you have a child, like she was breastfeeding her child at that time.
00:22:01.839 --> 00:22:07.359
And it was pretty close and felt, I don't want to say intimate, but it it felt that these two were close.
00:22:07.680 --> 00:22:09.200
So it was a little cringy.
00:22:09.359 --> 00:22:31.839
But the fact that Jesta Baldone is releasing that voicemail says something because it doesn't give him 100% clearance, but it really does frame him in the right way as a director and a co-star, working with a producer and a co-star who really cared about how she felt.
00:22:32.000 --> 00:22:34.160
And at that time, she was postpartum.
00:22:34.319 --> 00:22:35.680
She was worried about her weight.
00:22:35.759 --> 00:22:41.440
That was an actual issue that she was concerned about, which anyone would be concerned about that at that point.
00:22:41.680 --> 00:22:54.160
And that's why Ryan Reynolds apparently was very, very upset about, you know, he had said to her, you know, he, you know, he had yelled at him and said, Why the F are you asking my wife, you know, about her weight?
00:22:54.240 --> 00:22:55.119
You know, how dare you?
00:22:55.200 --> 00:23:09.680
Because Justin Baldone in the legal filings, you know, there were at issues, you know, at issue in one of Blake Lively's complaint was the weight issue that Justin Baldone was asking a trainer about it.
00:23:09.839 --> 00:23:23.200
But in his legal paperwork, he was saying, you know, he has a bad back and it's injured, and she he just wanted to know how much she weighed for the sake of the scene working and his back working, I guess, after it.
00:23:23.359 --> 00:23:25.279
A little clunky, yes.